Design Contract wants to show you the amazing interior design projects by Andrée Putman.

 Andrée Putman (23 December 1925 – 19 January 2013) was a French interior and product designer.


The interior design of the Morgans Hotel in New York in 1984 marked a turning point in Andrée Putman’s career: she managed to make a high-standard hotel with a small budget and asserted her style with sober rooms and visual effects. “Because I started working in New York, the French suddenly asked for me.” From the 1980s, she led more and more interior design projects: hotels such as Le Lac in Japan, Im Wasserturm in Germany and the Sheraton in Roissy-Charles de Gaulle airport in Paris; stores for Azzedine Alaia, Balenciaga, Bally and Lagerfeld; offices, particularly the one for French Minister of Culture Jack Lang in 1984; and museums like the CAPC, Bordeaux’s contemporary art museum.

In her work, not only did Putman reconcile “rich” and “poor” materials, find a new way to use light and cleared spaces to rediscover their origin; she also tackled the ways of living. The private residences she designed enabled her to break the rules: why dine in the dining room, cook in the kitchen and sleep in the bedroom when one can overcome obstacles and change one’s ways? “It is not about bathing in the living room and cooking in the bedroom but rather about opening spaces to various activities. Why should places be reduced to one function instead of favouring the sensations they bring us?” Putman was among the first in France to live in a loft. Her free spirit was also exhibited in her love of practical jokes.


In 1997, Andrée Putman created her eponymous Studio, specialising in interior design, product design and scenography. When she imagined objects, she refused the excess of striving to re-design pieces which were perfectly designed by others in the past. “We have to accept that many things can no longer be changed – or very slightly. If we change them, we have to add humour, detachment. What interests me: a joke in a collection, a sign of complicity.” For example, when she began collaborating with Christofle in 2000, she designed a collection of silver cutlery, objects and jewellery named Vertigo. The common element of this collection was a slightly twisted ring: “the fact that this ring is twisted brings life to it: did it fall? Why is it asymmetrical? Life is made of imperfections.”She created a Champagne bucket for Veuve Clicquot and reinterpreted the iconic Louis Vuitton Steamer Bag. In 2001, Putman created “Préparation Parfumée”. In 2003, she launched her own line of furniture “Préparation meublée” where the pieces were ironically named “Croqueuse de diamants”, “Jeune bûcheron”, “Bataille d’oreillers”… (“Gold digger”, “Young lumberjack” and “Pillow fight”). In 2004, she creates a stunning Russian tea set for Gien: Polka. An interior designer, she carried out the projects for Pershing Hall in Paris, the Morgans Hotel in Manhattan, and the Blue Spa at the Hotel Bayerischer Hof in Munich. In 2005, Guerlain chooses the Studio Putman to re-design its flagship store on the Champs Elysées. Among notable private commissions are the Pagoda House in Tel Aviv, the vast SoHo penthouse for Serge and Tatiana Sorokko, and a cliff-house in Tangier for Bernard-Henri Lévy and Arielle Dombasle, for whom Putman completely restructured the building.

The Morgans Hotel, Manhattan




Hotel Bayerischer Hof, Munich



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